当代中国互联网空间中出现了一系列不断强化的观念之争。本文提出,随着全球化进程中中国的快速崛起，吉登斯所未能预见的“时空折叠”悄然形成，为与文化主体性相关的公众观念形成“群内区隔”提供了宏观情境；嵌入在关系中、具有“信息茧房”特征的网络社交媒体形成了基于戈夫曼经典概念的“关系剧场”，为区隔的产生和强化提供了微观条件。本文有助于增进我们对当代中国互联网社会心态的理解，提升治理应对的能力。

This study proposes that the rapid rise of China under globalization forms a “time-space fold” that Anthony Giddens has not foreseen, which sets a macroscopic situation of the “intra-group polarization” for the public ideas related to cultural subjectivity. Besides, the social media with features of the information cocoon embedded in guanxi creates the “guanxi theatre”. As an extension of Erving Goffmans classic concept of theatre， the “guanxi theatre” provides microscopic conditions for the generation and reinforcement of the segment and polarization. This study helps deepen the understanding of the social mentality in Chinese cyberspace and improve the respondig and governance capacities.

本文为国家社会科学基金重大项目“大数据驱动的网络社会心态发展规律与引导策略研究”(19ZDA149)阶段性成果。

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